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Using a superior interpolation approach in Resolve, we’ll teach you how to properly apply a LUT for smoother gradients and less banding. You will be happy to know that DaVinci Resolve’s LUT decoding algorithm holds the key to solving your problem. In today’s blog, we’ll learn how to appropriately apply a LUT to get rid of Banding and achieve a smoother gradient on your footage.

This not only compromises your creative expression but also makes your video output look amateurish. You might have noticed that in order to achieve cinematic color space, a LUT that you usually apply, creates banding and distortions that sacrifice your picture quality. This week we will guide you on how to apply a LUT appropriately using Da Vinci Resolve software so that you don’t lose your artistic expression for technical accuracy. LUT folders for DJI, for Sony, for Arri, for RED, etc.Īnd this is why I’m so confused.Hope you all are overflowing with ideas and beaming with imagination. In Davinci Resolve, there are several LUT folders based on brands. Based on videos I’ve seen, it’s nowhere near as good as Canon’s dedicated C-Log.

I have a camera that doesn’t use a dedicated log profile, so I had to download, sort of, and artificial one, called EOSHD. I come from photography, so is a LUT a “preset”, where a log video is loaded, then adjustments are made, and that’s turned into a LUT to be used for other log videos? I guess I’m confused about how they’re made.

I’m still confused about what, exactly, a LUT is.